Big three arpeggios for jazz - part 2

Here is the second detailing application of this idea over a common standard.

I've also written out a pdf of the arpeggios I use in this example.

Note -

• Charlie Parker (and the other boppers) often uses a 7b9 sound - that means using the o7 substitute for a dominant.
• Charlie Christian and many of his swing era contemporaries almost always use a 9 sound - that means using the m6 substitute. 
• Django uses both, usually diminished in a minor key, and m6 in a major key.

Hope that makes sense!